Contemporary Art Snaps

Yesterday I was finishing up what was promising to be a fairly decent blog, and then Blogger decided to tell me I saved my draft and then didn't save the draft. An entire day's work was gone and I was left with the rough and raw first draft, which can feel worse than a blank page.

So, as I rewrite the post, hoping I will recreate yesterday's magic, I decided to post a more visual blog today.

Last month, I wrote about the contemporary collection at Düsseldorf's K21. This wasn't the first time I've seen contemporary art and I occasionally snap photos of stuff that I like, that tickles my funny bone, or that I just find peculiar.

Here's a selection of those snaps:

 

The basement of London's Tate Modern used to be
fuel tanks for the power plant. Now they store creations like
these little guys.   

The Vatican Museum is famous for its Renaissance collection, however its modern and contemporary collections also have some gems, like this one. 

An installation of cardboard boxes strewn across a courtyard in Venice
 during the city's international art festival.

I visited Kosice, Slovakia while it was an EU Cultural Capital, which meant lots of art exhibitions,
including this inflatable missile launcher.

Krakow"s MOCAK is next door to Oskar Schindler's factory. Naturally, those times loom large enough to parody them.

A disturbing rendering of Dozsa Gyorgy's execution in the Hungarian National Gallery.

  

Ghent is a real artsy town,
so SMAK (Flemish acronym for Museum of Contemporary Art) is worth a visit.  

A whale skeleton made from patio chairs in Ottawa's National Gallery.

Camels grazing in the National Gallery at Ottawa.

Omnibus Blog 4: That Canadian Visit

German bars getting into the spirit of the Tour de France.

I’ve fallen into that old trap of posting once a month. A bad habit, even if things have been busy on my end. But I’m making up for it with the Lazy Writer’s Round-Up Edition of the Omnibus Blog, a brief collection of short blurby blurbs.

The Tour de France comes to the Dorf

Düsseldorf has French fever. A touch of French has entered Düsseldorf's bakeries and bars recently – German institutions.

The bakeries are displaying fresh baguettes more prominently in the windows. The bars are decked out in the French tricolour (although I haven't seen French beer on tap). Oh, and those speed-bike-ring, short-short-wearing folks are racing down sidewalks a little more proudly. 

On my bike ride to the office, workers are busily erected barriers and beer tents. The Dorf's own Kraftwerk is playing a concert. They actually have a song called Tour de France and it's... well.. techno.

The start of the event are time trials, so 13km of race way is being cordoned off, most of it along the Rhine River. The next day, the Tour leaves Dusseldorf, riding through some pretty country in the Rhineland to Liege. Coincidentally, neither the beginning or the end of this stage is in France. 

We're planning on wandering around and checking it all out, but we've heard rumours the events are prohibitively expensive. If true, the extent of my instagram photos might be tiny blurs in the distance with a moody filter. 

Kraftwerk's concert stage goes up.

That French Election

Emmanuel Macron, the centrist, beat out the nationalists to win the French presidency and won a majority in the legislature. He'll cruise along with his agenda, which includes investing in skills and training, reforming the labour market (like that 35-hour work week), bringing free market reforms to the economy, among other things.

Smooth sailing, right? I don’t know... 

He's a youthful, refreshing politician, but voter turnout for the presidential and parliament elections hovered around 50 percent. There is something deeply wrong with civil society in Europe.

Some of this disengagement from politics might be total apathy of the elitist, and often corrupt, nature of French national politics. But some is likely because European government have been incapable of dealing with today's seismic shifts – a years-long recession, high unemployment, fear of free trade, the migrant crisis.

Macron's pragmatist agenda, which takes the best from the left and right wings of the political spectrum might be the shock France needs. Or it might not. Serious reform needs to come from Brussels too. 

We'll see how engaged people are when the next elections roll around.

Canada Trip

Oh, yeah. That happened. It had been a year and a half since our last visit to my homeland, so we were overdue for a visit.

The short version: we went to a wedding in Toronto, went to a baseball game, Kata got sick, we cancelled a trip to Montreal, went back to London, recuperated, then went to Ottawa, and back to London with a one-hour pitstop in Toronto, then back to Toronto to fly back.

I packed the schedule a little too much, yet no what matter it’s impossible to see everyone. That seems sad, but we ended up spending some quality time with the friends and family we were able to see.

It's a living-away-from-home compromise. You don't see people as often as you'd like, but you do have a good time with them when you do. It isn't a perfect arrangement, but the solid, strong, lifelong friendships are the ones that weather the distance and time apart.

So even as we all move forward and grow up and be more responsible, it's good to know that friends will still make the time for me that I will make for them.

Ottawa Paparazzi.

Art of the Dorf

Dusseldorf's K21

We’ve been planning a visit to K21, Düsseldorf’s top notch contemporary art gallery, for a while. The K20, its sister gallery, gets a lot of the attention for its collection of classic and modern German art, but K21 is an interesting visit for those ready to brave the occasional strangeness of contemporary art.

Full disclosure, I’m not a big contemporary art nut. 

Sometimes I'm impressed with it. Other times I wonder if a six-year-old could have done the same thing. I don't hide my ignorance about it. I try to appreciate the artist for coming out and doing something that wasn't done before, which is the barest minimum we can all do when looking at art.

K21 is big for a contemporary art space. And it's a gorgeous old building too. Usually you don't see that, but Düsseldorf was Joseph Beuys’ hometown, so there must be a civic bias for absurd, contemporary artsiness. 

Side note, Beuys is famous for a few things, like his tin cans, but after a visit to his exhibition at Ottawa's National Gallery, my favourite Beuys is a cross with a sausage hanging from it. 

Anyway, back to our K21 visit

We wandered into an exhibit with a light show in a mirrored box. In another, we approached what we thought was a red rectangular screen, only to reach out and discover it was an optical illusion. It was actually a room with a curved back wall lit by red LEDs. The curved wall, without corners, tricks your eyes into thinking your looking at something without depth, like a screen. Clever, tricky Contemporary Art!

K21's biggest draw is a creation by Tomas Saraceno: an elaborate web of steel cables suspended above the building’s atrium. Visitors put their belongings into a locker, don coveralls and hiking shoes, and walk or lounge on the steel cables, looking four floors down onto the atrium below.

It’s amusement park-esque, but there is a typical contemporary art explanation about how people’s actions affect other people. That's actually not bullshit. When you walk along, especially if you're a clumsy bag of bones like me, other people have to steady themselves as the web shakes and strains and shifts beneath them.

Walking along Saraceno's wire web at K21.

Wandering through a contemporary art exhibit sometimes leaves me wondering what I just saw, it's also nice to know that contemporary art can also surprise and delight me too.