All that's left of Josef Stalin's monument? His boots. |
Well, they’re not operating the trains themselves, the're operating the train line. There are 11-year-olds are up there, selling tickets,
collecting tickets, working the signals, conducting conductor duties and
shouting what I’m sure is “All aboard” in Hungarian.
The railway winds its way through the woods and high
up into the hills, beginning near a Budapest tram lines’ last stop and
terminating atop one of Buda’s higher hills.
There are old socialist-style murals and posters all over the first station. It feels like one of those Soviet programs for children to teach them elemental socialist values about the importance of a hard day’s work in the service of the state. Think of the Young Pioneers, which were the Soviet Union’s version of boy scouts, only these kids get trains.
Being conducted by the little people of the Children's Railway |
But it despite the family friendly atmosphere and the fact these kids were born well after the Berlin Wall fell, the Children's Railway still feels very East Bloc.
It’s an interesting holdover from the Hungary’s
communist days. There are vestiges of Hungary’s socialist era, but while much
has been swept away, I’ve become interested in what has remained, and why. So
when I first heard about Memento Park, I knew I had to visit, and bring
my photog-friend Marcin along.
Marcin grew up in communist Poland before moving to
Canada and his love for communist iconography is well known among our group of
friends: He received a Mao Tse Tung garden gnome as a housewarming gift.
Memento Park is where socialist Hungary’s grander
garden gnomes have been laid to rest when they were removed after communism
fell. All the tributes to the Soviet ‘liberators ’ and Hungary’s socialist
heroes came here to be seen, rather than destroyed.
The designer of the park said: “This park is
about dictatorship. And at the same time, because it can be talked about,
described, built, this park is about democracy. After all, only democracy is
able to give the opportunity to let us think freely about dictatorship.”
It's a noble gesture, considering so much the era's documents remain unstudied and so much of the collective memory goes unshared.
By laying all of these grand pieces of propaganda to bear, there is a chance for discussion about it, but the potential for jocular poses with the statues. We did both, which is what democracy is for: the serious and the silly.
By laying all of these grand pieces of propaganda to bear, there is a chance for discussion about it, but the potential for jocular poses with the statues. We did both, which is what democracy is for: the serious and the silly.
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